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Siapakah Affandi itu?
sudah pernah dengar nama itu belum?
dia adalah?........
Hari ini dia muncul di Google doodle?
siapa sebenarnya dia?
Affandi (1907 – May 23, 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta. He gave up his studies to pursue his desire to become an artist. Beginning in 1934, Affandi began teaching himself how to paint. He married Maryati, a fellow artist. One of his children, Kartika also became an artist.
actually his father wanted him to be a doctor like him
In the 1950s, Affandi began to create expressionist paintings. The piece Carrying the First Grandchild (1953) marked his newfound style known as "squeezing the tube". Affandi painted by directly squeezing the paint out of its tube. He came across this technique by accident, when he intended to draw a line one day. As he lost his patience when he was looking for a missing pencil, he applied the paint directly from its tube. The resulting effect, as he found out, was that the painted object appeared more alive. He also felt more freedom to express his feelings when he used his own hands, instead of a paint brush. In certain respects, he has acknowledged similarities with Vincent van Gogh.[citation needed]
Like most of his Indonesian contemporaries, Affandi grew up largely cut off from the mainstream of modern art. It wasn't until the late 1930s that the first exhibitions of major Western artists – from Gauguin to Kandinsky and Picasso – were held in Batavia (today’s Jakarta). Affandi was particularly fascinated by the Javanese wayang, or shadow-play. He followed his family to Bandung and then to Batavia, honing his skill at drawing and then at oil painting. By the time he began painting seriously, in 1940, he had at various times been a housepainter, a cinema ticket-collector, and a billboard artist. He would save paints left over from the posters and his other jobs and paint landscapes. Soon he was exhibiting – and, as a surprise to himself – actually selling. With his wife’s consent, he decided to devote the first ten days of each month to his trade, and the remaining twenty to his art.[citation needed]
His only teachers were a few reproductions that he saw in copies of Studio, an art magazine from London. He felt a kinship with the Impressionists, with Goya and with Edvard Munch, as well as the earlier masters, Breughel, Hieronymus Bosch and Botticelli. Their influence began to show in his paintings. But the grim realities around Affandi made an even greater mark on him. In Yogjakarta one day, just after the Pacific War, Affandi sat painting a market place where folk were grubbing about, half-starved and half-naked. Infuriated at his seeming unconcern, a youth threw dust at the artist and his canvas, shouting: "This man is mad! While our people are naked he paints them on canvas and makes a bad painting we cannot understand.
Taken from Wikipedia
sudah pernah dengar nama itu belum?
dia adalah?........
Hari ini dia muncul di Google doodle?
siapa sebenarnya dia?
Affandi (1907 – May 23, 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta. He gave up his studies to pursue his desire to become an artist. Beginning in 1934, Affandi began teaching himself how to paint. He married Maryati, a fellow artist. One of his children, Kartika also became an artist.
actually his father wanted him to be a doctor like him
In the 1950s, Affandi began to create expressionist paintings. The piece Carrying the First Grandchild (1953) marked his newfound style known as "squeezing the tube". Affandi painted by directly squeezing the paint out of its tube. He came across this technique by accident, when he intended to draw a line one day. As he lost his patience when he was looking for a missing pencil, he applied the paint directly from its tube. The resulting effect, as he found out, was that the painted object appeared more alive. He also felt more freedom to express his feelings when he used his own hands, instead of a paint brush. In certain respects, he has acknowledged similarities with Vincent van Gogh.[citation needed]
Like most of his Indonesian contemporaries, Affandi grew up largely cut off from the mainstream of modern art. It wasn't until the late 1930s that the first exhibitions of major Western artists – from Gauguin to Kandinsky and Picasso – were held in Batavia (today’s Jakarta). Affandi was particularly fascinated by the Javanese wayang, or shadow-play. He followed his family to Bandung and then to Batavia, honing his skill at drawing and then at oil painting. By the time he began painting seriously, in 1940, he had at various times been a housepainter, a cinema ticket-collector, and a billboard artist. He would save paints left over from the posters and his other jobs and paint landscapes. Soon he was exhibiting – and, as a surprise to himself – actually selling. With his wife’s consent, he decided to devote the first ten days of each month to his trade, and the remaining twenty to his art.[citation needed]
His only teachers were a few reproductions that he saw in copies of Studio, an art magazine from London. He felt a kinship with the Impressionists, with Goya and with Edvard Munch, as well as the earlier masters, Breughel, Hieronymus Bosch and Botticelli. Their influence began to show in his paintings. But the grim realities around Affandi made an even greater mark on him. In Yogjakarta one day, just after the Pacific War, Affandi sat painting a market place where folk were grubbing about, half-starved and half-naked. Infuriated at his seeming unconcern, a youth threw dust at the artist and his canvas, shouting: "This man is mad! While our people are naked he paints them on canvas and makes a bad painting we cannot understand.
Taken from Wikipedia
Affandi the painter
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